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There are many, many Free Software music-making applications. Here are some that follow directly from this chapter: Sound Juicer (GNU/Linux): A ripper, meaning a program that extracts music data from audio CDs and turns it into a format you can use with programs like Mixxx. It s straightforward and easy to use. Sound Juicer s home page is www.burtonini.com/blog/computers/sound-juicer/. Grip (GNU/Linux): Another CD ripper that can be used with Mixxx, available from http://nostatic.org/grip and in many GNU/Linux distros. Grip is more complicated than Sound Juicer, but it gives you greater control over the ripping process. Jackbeat (GNU/Linux, Mac): Another Free Software drum machine, available from the project homepage at http://jackbeat.samalyse.org. It s simpler in appearance than Hydrogen but has some interesting features. Rosegarden (GNU/Linux): A more complex MIDI sequencer than seq24, with audio recording and music notation features. Its home page is at www.rosegardenmusic.com. Qtractor (GNU/Linux): An alternative MIDI and audio sequencer, aimed more at dance music producers than notation-reading musicians. The Qtractor home page is at http://qtractor.sourceforge.net.

function-available()

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Returns true if the processor supports the function named by the argument string. The string usually includes a prefix to test for the availability of extension functions. If there is a second argument, returns true if the processor supports the named function with the number of arguments specified by the second argument. xs:boolean function-available(xs:string) xs:boolean function-available(xs:string, xs:integer) See also element-available(). From XSLT 1.0.

generate-id()

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Since Victorian inventors first recorded sound onto cylinders and discs, many competing technologies have been used to capture audio and play it back. Disc cutters and wire recorders gave way to magnetic tape as the primary medium after an American serviceman, Jack Mullin, liberated two Magnetophon recorders from a Nazi radio station in the final months of World War II. Returning to the USA, Mullin demonstrated the recorders to Bing Crosby in Hollywood. Crosby saw the potential for prerecording his own radio shows and invested in the Ampex company in order that the machines could be produced commercially (see Figure 9-1). (If you don t know who Bing Crosby was, ask your grandmother.) Analog recordings on tape dominated the music industry for decades, ranging in size from gigantic Studer twoinch tape machines down to miniature Nagra eighth-inch machines, used in any spy movie of the period.

Returns an ID for the argument node that is both unique and a valid XML ID. If no argument is given, it returns a unique ID for the context node. The unique IDs are not stable they are different from processor to processor, and even for the same processor operating over the same stylesheet with the same source XML document. If the argument is an empty sequence, returns

hours-from-dateTime()

Figure 9-1. An Ampex tape recorder from 1965, with its cover removed. Photo by Gregory Maxwell, GNU FDL.

Returns the hours component from an xs:dateTime. If the argument is an empty sequence, returns an empty sequence. xs:integer hours-from-dateTime(xs:dateTime ) See also year-from-dateTime(), month-from-dateTime(), day-from-dateTime(), minutes-from-dateTime(), seconds-from-dateTime(), timezone-from-dateTime(). From XPath 2.0.

hours-from-duration()

In the 1980s and 90s, digital tape formats including DASH, DAT, and ADAT became popular, only to be replaced in turn by computer-based recorders that use hard disk, CD-R, or Flash memory card storage A major advantage of computer recording is that the format is file-based, which means any part of the audio can be accessed at random, almost instantaneously Contrast this to the linear, timeconsuming process of having to spool through tape to find the part you want to change This is why computer-based manipulation of audio and video is sometimes called nonlinear editing Recording direct to files on disk can make it faster to transfer material from machine to machine, too Tapes need to be played back into the digital audio workstation (DAW) before editing, which can take up to an hour each time depending on the length of tape and the speed of the machine.

Returns the hours component from an xdt:dayTimeDuration. If the argument is an empty sequence, returns an empty sequence. xs:integer hours-from-duration(xdt:dayTimeDuration ) See also days-from-duration(), minutes-from-duration(), seconds-from-duration(). From XPath 2.0.

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